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Well, there's some that i agree with with poster 19, but plenty i don't. I love Jane the 'star'- the real Jane is someone else, that's who she has always been - maybe too human, too real, too remote and shy. I think all of her vocals could be remixed would be a hit again. They are more noticeable now because the background music is so dated. Like BS Jane could not let go of them, again because of her perfectionism.
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Like Streisand she had her affectations in her singing. I was/am a huge fan of her music from the past. I think she's almost a hermit there - but she seems content. She lives (lived) on a farm-ranch with horses and other animals that she loves. I don't think we will hear from her again unless she is forced to do something because she needs the money. In my opinion, I think she feels she is too old now to do anything. I can't tell you if she has regrets about how she got to where she is today. She loves animals - she knows she has a great voice. Dusty Springfield was another singer who had the problem. Maybe they tell her what she wants to hear. Some of these are old, old friends that don't have a clue about the real world of music today. It seems to me they don't want her to succeed for some reason I don't understand. She has had people around her that have cut her off from the world and have given her bad advice. I think her fans could raise it through crowd funding. Her recording efforts have not been successful and she hasn't been able to raise the money to produce them. Maybe that has held her back from doing different material that could have kept her career going longer. She is a perfectionist about her voice and the recordings she has done. She is not the person her fans think she is. Many years later had had a longer connection with her on another project. Remember his long-lost daughter? That's Mi-do.I met her when she was starting out with her lesbian promoter about doing a project with her.
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It would seem that Woo-jin has had his revenge on Dae-su, with the imprisonment. Dae-su spread the news, and, he finds out, the sister was so mortified she committed suicide. He went to high school with Woo-jin, and he saw the guy engage in incest with his sister. Dae-su and Mi-do's relationship grows increasingly intimate, but then Dae-su figures it all out. Soon, his captor, Lee Woo-jin, contacts Dae-su with an ultimatum: If he guesses the reason for his imprisonment in five days, Woo-jin will kill himself if not, he'll kill Mi-do. He tries to get his life back together, but gives up on finding his daughter when he learns she was adopted by a Swedish couple. When he's finally released, he wanders into a sushi restaurant and strikes up a relationship with its young chef, Mi-do (Kang Hye-jung). After a friend retrieves him from a police station, he's kidnapped and isolated in a hotel room for 15 years. Oh Dae-su (Choi Min-sik) gets arrested one night for public drunkenness and misses his young daughter's birthday party. Only your partners, the bedroom ceiling, and maybe Matt Damon should have ever seen that, Ben. We imagine his direction was something like, "Show the world exactly what it's like in Bennifer's real bedroom." Then he probably went back to his trailer and drank until he passed out while Ben Affleck delivered a nauseatingly realistic depiction of the faces he makes in the throes of passion.
GAY MEN MAKING LOVE IN FRONT OF A FIREPLACE MOVIE
According to IMDb, the studio forced Brest to turn what originally was a mob movie into a rom-com to "cash in on the relationship between Ben Affleck and Jennifer Lopez." So, our only explanation for the resulting love scenes has to be that they were a vindictive parting shot by a director already set on leaving the business. Just in case that line of dialogue up there-which is a direct quote of the pillow talk from this movie-wasn't a strong enough indicator of how awful Gigli is, here's another piece of info to solidify that framework: Martin Brest, the director, never made another film after Gigli.